Mary Kingswood Regency romance news

June 21, 2016 Regency romances 2

As you may know, I’ve recently begun a new writing venture, breaking away from fantasy for a while to write a series of Regency romances, of traditional style. Like Jane Austen’s works, they focus on the serious business of young ladies looking for husbands and the difficulties they encounter along the way. I can’t copy Austen’s elegant writing or her wit, but I have tried to impart a flavour of the Regency era and the mannered lives of its upper-class residents, while injecting some humour. And like the originals, the story ends with a proposal and acceptance, nothing more, although I have taken the liberty of sealing the happy ever after with a kiss.

The series is called The Daughters of Allamont Hall written under the pen name Mary Kingswood and there will be six books in all, each focusing on a different daughter and her search for the perfect husband. There will also be some amusing and (I hope) interesting characters running through the whole series.

Book 1: Amy will be released on 15th July 2016, with Book 2: Belle on 12th August, Book 3: Connie on 9th September. The remaining stories, Book 4: Dulcie, Book 5: Grace and Book 6: Hope will follow not far behind. The first three are available for pre-order from Amazon now — click the covers below to go to your local Amazon to order.  If you’d like more information, or to sign up for the Mary Kingswood newsletter, hop over to the Mary Kingswood website.

Belle ecover

Here’s the blurb for Book 1: Amy:

Mr William Allamont rules the lives of his six unmarried daughters with strict regularity. Every hour has its appointed task, every day its routine, lest the girls fall into idleness and frivolity. When he dies unexpectedly, his will includes generous dowries for the sisters, but only on condition that they marry in the proper order, the eldest first.

Amy must now find herself a husband, and soon, so that her younger sisters may also have their chance of marriage. There are several possible suitors, but will any of them come up to scratch? And how can Amy choose for herself, when she has always been guided by her father’s strict rules? Will she be able to manage without him to direct her?

Mr Ambleside has been waiting for Amy for years, his suit rejected by her father. Now he has his opportunity, and he’s determined to win her. But first he has to see off his rivals, and if he manages that, he has to overcome her reluctance to defy her father’s wishes. But he’s a very tenacious man…

And now back to fantasy, and the editing for the final part of the Fire Mages Trilogy – The Second God, which will (hopefully) be released on 23rd September 2016. If you enjoyed The Fire Mages and The Fire Mages’ Daughter, you won’t want to miss this dramatic conclusion to the story of Drina, Arran and Ly.

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Authors Answer 14: When coming up with a new story, what comes first, the character or the plot?

June 9, 2016 AuthorsAnswer, The Fire Mages' Daughter, The Plains of Kallanash 0

The character, always. Most of my books have started in a very simple way, with a character in a situation. Then I start looking around for more details of the setting, more characters, the background to the situation. Then, and only then, do I let the characters loose and see what sort of plot develops.

I always think it must be tidier to start with the plot, to know that event A is succeeded by event B and so on, right down to the grand finale of event Z, and then construct characters that will show that plot off to best advantage. Such a system leads to properly rounded character arcs, and neat resolutions, and pivotal moments that occur at precisely 37.5% of the way through. Properly structured stories must be built this way, I assume. It’s just not the way I work.

For example, The Plains of Kallanash was an accident. I was in the middle of writing something else, but then I had an idea: what would life be like if a marriage consisted of four people, and not just two? Perhaps it would just be two couples, but what if there was one active couple, the senior husband and wife, who slept together and had children, while the junior couple were just there as moral support, and to step into the breach if one of the seniors dies.

All of a sudden, Mia was there, fully formed – quiet, timid Mia, content to do whatever is needed, but secretly yearning to attract the attention of the senior husband. Jonnor appeared next, the handsome one, who treated Mia like a child, when he wasn’t ignoring her. And by contrast, Hurst, in love with Mia, and beautiful, lively Tella, the catalyst for everything that followed. So there were my characters and their situation, but what was the plot? I sat down to write, but I had absolutely no idea where the story was taking me. And yet somehow it developed and grew and took me to the most unexpected places, and, in its rambling way, came to an end. Does it work? I’m still not sure. But I liked the way it got written, and it’s a way that’s worked for several books now.

There’s only been one exception so far. My second book, The Fire Mages, came to an end with the birth of a baby, a daughter whose whole gestation period was bathed in very powerful magic. That was a situation that intrigued me. How would that affect an unborn baby? How would she be different from other children, and would that be a good or bad thing? So in that case, I had a character with a very specific situation, but there was no obvious plot. I needed a story that would put those differences under the spotlight and challenge her. So I turned to Libbie Hawker’s book Take Your Pants Off!, which demonstrates a very gentle character-based form of plotting for pantsers, and that got me out of trouble and started the story rolling. The result was The Fire Mages’ Daughter.

Footnote: Authors Answer is the brainchild of blogger Jay Dee Archer, of I Read Encyclopedias For Fun. You can read the answers to this question by his eclectic bunch of authors here. More recently, Erica Dakin, of the Theft And Sorcery blog, has been answering the questions independently. You can read her answer to this question here.

 

 

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Romance review: ‘Outlander’ by Diana Gabaldon

June 7, 2016 Review 0

Where to start? This is one of those books that half the world has read (or seen on TV) and everyone has heard of and has an opinion on. The basic premise is the traditional one for any portal story – a modern-era character who steps into the past and has to survive/adjust/get home. Nothing original there. The twist here is that the story starts in 1945, with Claire Randall on a second honeymoon with her husband in Scotland, the idea being to get reacquainted after wartime separation. As with any portal story, this part is way, way too long (actually, the whole book would be improved by being cut in half, but no matter). I didn’t develop any connection with husband Frank, so I didn’t much care when Claire left him behind, and her desire to get back to him never quite rang true.

The Scotland of 1743, where Claire ends up, is far more interesting, and much of the historic detail seemed quite authentic to me. The characters – not so much. All these braw Scots warriors, honed in clan wars and battles with the English, treated Claire with astonishing gentleness, as if she were an honoured guest instead of a woman found (apparently) screwing an English soldier. In the real world, I suspect she’d have been raped and/or killed pretty smartly. But no, they take her back to their castle where, even though they believe she’s a spy, they put her in charge of doctoring the residents. Now that’s just asking for a mass poisoning. And she sets about being all perky modern woman, instead of keeping her stupid head down.

And then there’s the hot young Scotsman, Jamie. Again, he’s terribly gentlemanly and, even though all the maidens have the hots for him, he’s still a virgin. Hahahaha! Yeah, right. But lucky Claire is forced to marry him, because reasons. And then the sex breaks out and the book goes to hell in a handcart. Now, I have no problem with sex in books, even quite large quantities of it, as here – frankly, they go at it like rabbits, and never mind about poor old left-behind-in-the-future Frank. That’s OK. A bit less rutting and a bit more plot wouldn’t have gone amiss, but it’s not really a problem. Well, OK, a lot less rutting. It did get repetitive after a while.

No, what I really disliked was the amount of violence and gory stuff in the book. Every chapter, it seemed, had another skirmish, and another graphically-described wound for Claire to stitch up with her twentieth century skills (how lucky that she was a nurse!). And by the time I got to the halfway point, and the sex and violence were getting a bit mixed up together, things got too murky for my taste. I know from reviews and a bit of skimming that all of that gets worse, so I gave up on it at that point. Nicely written, and the history seems accurate, as far as I can tell, but it wasn’t my cup of tea. One star for a DNF.

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Mystery review: ‘Spider’s Web’ by Mike Omer

May 26, 2016 Review 0

I don’t read many police procedurals, being more of an amateur sleuth type of gal, but I’ve loved the author’s previous books so this new series was a must-read for me. The plot is the usual – there’s a seemingly random killing of a jogger in a park, and it gradually becomes clear that this is just one of a sequence of similar cases. The murderer’s MO is intriguing – the victim receives a text with a picture of something (a gun, a car…) and shortly thereafter is killed with that item as the murder weapon. And there’s a messed-up cop, and an interfering journalist, and a perky forensic psychologist (a profiler) and all the familiar elements.

What makes this book different from a thousand others? Firstly, the characters. You’ve never lived until you’ve encountered Rabbi Friedman. I swear he’s not like any Rabbi you’ve ever heard of before. Frankly, Rabbi Friedman is awesome, and I hope he’s going to turn up in later books in the series, because he’s just too wonderful to be a one-shot deal. Atticus Hoffman is great fun, too. Then there are the cops, who all have their quirks but are still totally believable, rounded characters, ordinary characters that are so real you feel you’ve known them for years.

The main cop, Mitchell, gradually disintegrates over the course of the book, but it all makes perfect sense and the reader feels all his bewildered pain and suppressed anger, and totally sympathises. I loved his awkward conversations with Zoe, the profiler, someone he completely doesn’t get but has to try to come to terms with anyway. His relationship with his sister, Tanessa, is a lovely mixture of pride and older brother protectiveness.

And then there’s the humour. Some authors skip the humour altogether with this kind of story, and some will throw in the odd snippet of black humour, but this book runs the full gamut from dry, that makes you smile wryly, to genuine tears-in-the-eyes belly-laughs. It was the stand-out feature of Omer’s previous books for me, and here he does it again. The guy just has the most amazing sense of humour.

As the case builds to its climax, the pace gets faster and faster, and even though there’s nothing terribly revolutionary in the last few chapters, certainly nothing that an aficionado of the genre won’t have seen many times before, it’s done so well that it had me turning the pages in breathless anticipation. And there’s a moment at the end that just had me punching the air with delight. This is a great start to the series, and I’m looking forward to the next. A good four stars.

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Fantasy review: ‘The Fairytale Curse’ by Marina Finlayson

May 22, 2016 Review 0

I’ve loved everything the author has written to date, so this was right at the top of my reading list. It’s not my usual fare (YA? High school? Proms? Really not my thing) but Finlayson achieved the seemingly impossible and taught me to love werewolves, so I was pretty confident she could work the same magic again.

Here’s the premise: 17-year-old twin sisters CJ (the pretty one) and Violet (the other one) wake up after a party to find they’ve been cursed. Whenever they speak, they spit diamonds (CJ) or frogs (Violet) from their mouths. And they’re not the only ones to find themselves on the wrong end of a fairytale curse. But strangely, Mum and Dad aren’t quite as surprised as might be expected. Turns out they’re part of a whole organisation devoted to keeping the unpleasant fairies (Sidhe) harmlessly locked away. And wouldn’t you just know it, those evil fairies are breaking out and looking for revenge.

Cue all sorts of mayhem and dramatic goings on, and (since this is YA) there’s a hefty dollop of romance in the background too. This was a lot of fun, and I loved that the schoolkids were, in the end, instrumental in restoring some semblance of normality, with only a little help from the grown-ups. There are a bunch of unanswered questions left dangling for the next book in the series, but the immediate threat was resolved very neatly. This felt just a tad too YA for my personal taste, but that’s the only thing keeping this to four stars.

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Book release: ‘The Dragon’s Egg’ is now available!

May 10, 2016 The Dragon's Egg 0

Well, blow me down, I forgot to post an announcement about this! Why did I forget? Because I’m an idiot! But also because this is the first book that didn’t have a pre-order set up, so when it was ready, I just – pushed the button. And, of course, forgot to do a lot of the usual things.

My sixth book set in the Brightmoon world is now available at your local Amazon. You can buy it for $3.99 (or equivalent) or borrow it for free, if you have a subscription to Prime or Kindle Unlimited. If you’d like to buy it in paperback, you’ll need to wait just a little longer but anyone buying the paperback will be able to download the Kindle version free of charge.

Click here to go to your local Amazon to buy or borrow.

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Authors answer #13: Can you recommend an author who is not well known?

May 7, 2016 AuthorsAnswer 0

Good grief, how much time have you got? Unknown authors are my specialist subject. Not for me the residents of bestseller lists or airport bookshops or the type of book that’s stacked high on tables near the door at Waterstones. In fact, most of my favourite authors don’t make it onto the shelves of bookstores at all. I could go on all day, but here are just a few that I love.

H Anthe Davis: an American who writes epic fantasy with a hint of horror, compelling characters and industrial-strength world-building. The first of the War of Memory series is The Light of Kerrindryr. She’s a slow-brew kind of writer, so the series is as yet incomplete, with three books out so far.

Marina Finlayson: an Australian who writes fast-paced urban fantasy of the werewolf variety, with added dragons and just a touch of romance, and loads of Aussie humour. Her The Proving trilogy is now complete; start with Twiceborn.

Claire Frank: an American author of wonderful epic fantasy with a great magic system, some intriguing characters with an unusual history, and a shed-load of all-action magely battles. The Echoes of Imara series will be complete soon; start with To Whatever End.

S E Robertson: a single-book author, but what a book! The Healers’ Road can only be described as literary fantasy; two healers, one using magic and one not, have to spend a year travelling about with a caravan of merchants, coming to terms with each other’s very different personalities and methods.

Footnote: Authors Answer is the brainchild of blogger Jay Dee Archer, of I Read Encyclopedias For Fun. You can read the answers to this question by his eclectic bunch of authors here. More recently, Erica Dakin, of the Theft And Sorcery blog, has been answering the questions independently. You can read her answer to this question here.

 

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Urban fantasy review: ‘Grim Haven’ by Jen Rasmussen

May 6, 2016 Review 0

I don’t read a whole heap of urban fantasy, being more of an epic sort of reader myself, but this is a fun, just-one-more-chapter type of read. It’s my kind of book – quirky, original, with a surprise round every corner. When I tell you that the scene that sent shivers up and down my spine involved the bad guys simply walking around a building, you’ll understand that this isn’t your average let’s-hurl-thunderbolts-around urban fantasy. This is Hitchcockian (is that a word?) levels of tension.

Here’s the plot: Verity has her own form of magic, a quiet type that involves writing spells on paper, which she uses for self-protection. She likes to keep a low profile, but an accidental encounter with some unpleasantness of the non-human variety draws her into a centuries-old war. She seeks refuge in her home town, where she’s just inherited an old hotel, but this is not your average American town. Cue all sorts of magicky weirdness.

And then there’s Cooper. Yes, let’s talk about Cooper, who’s hot, has muscles in all the right places, is very cute and – is a chef. OK, that’s unusual but boy, isn’t this better than werewolves and demons and all that other bad boy stuff? What could be sexier than a man who can run up a steak diane and a pavlova at times of crisis? Or, let’s be honest, at any time. And if he happens to be good in bed, too – result!

OK, Cooper is distracting me from the plot… actually, I’m OK with that. The plot unfurls in the usual way, with plenty of twists and turns and a finale that had me holding my breath, it was so tense. And the romance weaves in and out of it all beautifully. Sigh. And there’s a neat twist at the end that sets things up for book 2 in the series rather well. This is a solid, entertaining start to the series, with enough intriguing backstory to both the main characters to keep me reading. A good four stars.

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Regency review: ‘The Lucases of Lucas Lodge’ by Clara Benson

May 6, 2016 Review 0

This is a real treat for Janeites, or anyone who read Pride and Prejudice and wondered what happened to Maria Lucas after big sister Charlotte married Mr Collins, and three of the Bennet sisters all found husbands. Clara Benson wondered, too, and this is her imagined answer. It’s a charming and light-hearted tale of muddles and misunderstandings, written in a style that any Janeite will love.

There are no Bennets in sight, just Maria Lucas, her parents, Miss King (the heiress saved from Wickham’s clutches in P&P) and some new characters renting Netherfield Park. I found all the characters (except one!) to be rather too nice, and perhaps not as quirky as genuine Austen characters, but this just made them all the more realistic. I particularly liked the way Miss King, a tiny bit-part in P&P, is given a great deal of depth here. Nicely done.

The setting is quite confined, just Lucas Lodge, Meryton, Netherfield Park and a rather puddly lane nearby, which has a starring role in a number of scenes. I was a little surprised that Maria is at home so much, when she has so many rich friends and relations now who could invite her to stay, but the author does explain this.

This is a wonderful, readable book with a delightful romance, lots of humour and all the charm of a Jane Austen novel. I couldn’t put it down! One word of warning: the book is an excellent pastiche of Regency wordiness, with no concessions to modern language, so anyone who finds Jane Austen’s phraseology tricky will have the same problem here. A very good four stars.

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Fantasy review: ‘The Strength To Serve’ by Claire Frank

May 5, 2016 Review 0

This is the third part of the Echoes of Imara series, which started with To Whatever End and An Altered Fate. It’s truly epic fantasy, with an array of characters pursuing their own agendas and plenty of world-threatening events in prospect. Our ‘heroes’, husband and wife Daro and Cecily and their friends are still dealing with the aftermath of the altered wielders (magic users). Pathius, the son of the former king, is in Imara while the Imarans help him to recover some stability. Meanwhile, the Lyceum loses a valuable artifact and asks Cecily to recover it. And across the sea in Attalon, Isley is imprisoned by the Emperor, as he plans an invasion.

One of the highlights of the second book was Daro’s stay in Imara, and this time it’s Pathius learning about the Imaran ways. The Imarans have a wonderfully ‘other’ feel to them, and everything about them and their land is strange, exotic and beautiful. There is a depth of characterisation in this section that really appealed to me, as Pathius and Ara inch towards an understanding.

Pathius is such a complex character. He’s the son of the king deposed (that is, killed) by Daro and his pals in an uprising that took place before the start of the first book. Pathius was believed to be dead too, and his reappearance is hugely awkward for the new king, Rogan, and everyone else. In book 2, he was dabbling in an uprising against Rogan, but that was defeated and in this book he has to decide whether he will continue to pursue a course as rightful heir to the throne or become a loyal subject of Rogan. He’s conflicted by his own history, and also by Cecily, with whom he shares a small part of the Imaran bond between Daro and Cecily. The book’s title, The Strength To Serve, gives a clue to which way it will go, even though the other characters are still suspicious of him. I very much want Pathius to be one of the ‘good guys’ but it’s obvious that he carries around a lot of baggage and could easily go to the bad at any time.

Daro and Cecily and their pals are (I presume) the people we’re supposed to be rooting for. I’ve always had a huge problem with that, hence the quotes round the ‘heroes’ up above. These are people who treasonably bumped off the previous king, and yes, he sounds like a pretty unpleasant guy but still — king! And here they are again in this book, behaving in very questionable ways. Callum, Daro and Cecily all do things towards the end of the book that have me questioning both their judgement and their ethics. The actions of Callum and Cecily I can just about accept as being necessary for the greater good, but Daro’s actions were completely beyond the pale, risking huge numbers of lives for a personal vendetta. I’m comfortable with grey morality, but to me this was not the action of a hero.

This is ironic, because earlier in the book, there’s an event which paints him very different colours, as a man undertaking a very difficult and dangerous task for the good of his people. His battle in Thaya is a great action set-piece, Daro at his masterful best. In fact, all the action scenes are superbly done, and anyone who enjoys mage battles or more traditional sword-and-spear work should read these books.

I suppose I should mention Isley. Poor Isley, held as both prisoner and revered favourite of the Emperor, a gloriously mixed-up situation. She has all the self-deluded pathos that should elicit sympathy, but somehow I can’t quite forget how evil she was in the previous book. She feels a little like a plot device — someone positioned so that the reader can discover just what the Emperor is up to, and (possibly) to link to some dramatic revelation in the final book.

This is a beautifully written book, with interesting characters, great action scenes, a well-thought-out plot and excellent pacing. There are some huge reveals at the end that I just didn’t see coming, including one that made me cheer and one that had me open-mouthed with shock. So why only four stars? It really comes down to personal preference. I’m not a huge fan of long-drawn-out battles. With the escalation in the war, it was inevitable that the battles would be intense, but I found there was a little too much describing who was doing what to whom. With wielders, there’s no end of Pushing and Pulling and Reaching, and sometimes I just wanted to know what the characters were feeling. In general, I wanted a stronger emotional engagement. There were times when I got it — the exhibition in Thaya, for instance, and Pathius and Ara in Imara — but there were also times when I felt detached from what was going on, and moments when I should have been affected by an event, but really wasn’t. But that’s just me, and it shouldn’t put anyone off reading an excellent book. A good four stars. I highly recommend this series.

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