For me, it\u2019s definitely the plot. I\u2019m a pantser, which means I just start writing without much thought in my head of where the story might take me. I usually start with a character, or a group of characters, in a particular situation, and I just turn them loose, so to speak, and they make their own decisions and steer the story. The setting grows around them.<\/p>\n
But, while this kind of \u2018discovery\u2019 writing, where the author discovers the story at the time without any forethought or planning, can lead to problems. You can find your characters have got themselves into a deep hole and really can\u2019t get out again without miraculous help, and that\u2019s a big no-no. There\u2019s even an expression for it: deus ex machina, (the god from the machine). This doesn\u2019t happen to me very often, since my characters tend to be sensible chaps and chapesses, who foresee the upcoming deep hole and take avoiding action.<\/p>\n
Or the story can ramble interminably without ever getting anywhere, and this one I\u2019m definitely guilty of. In epic fantasy, a certain amount of rambling is tolerated, because readers love an expansive sort of world that feels b-i-g, so I think I\u2019ve mostly got away with it. But still, it can make the story feel slow.<\/p>\n
What I find really difficult is structuring the story so that it has a properly dramatic arc, with tension building and building to a crescendo at just the right moment. This sort of thing is much easier for those who sit down and plan out the whole outline before writing a word. Sometimes the crescendo happens anyway at just the right time, and that\u2019s awesome. And sometimes it gets missed out altogether (in one of my books, the main character is unconscious for a crucial battle), which is less awesome. And sometimes the ending just fizzles out. I hope I\u2019m more aware of the problems now, but it\u2019s still an issue that trips me up occasionally.<\/p>\n
So why don\u2019t I outline? I find it too restrictive. I\u2019ve never got the hang of beat sheets and hitting pinch points and all that good stuff that, if you use them properly, builds the structure effortlessly. It just feels like a straight-jacket. Once or twice I\u2019ve used Libby Hawkes\u2019 method in Take Off Your Pants! to get me started and after the first few chapters everything begins to flow, and sometimes I have waypoints I know I want to hit, but I\u2019ve never plotted an entire book from start to finish. For that reason alone, I will never, ever tackle a time travel story. Just too many complexities to keep in my head! I enjoy reading them, when I can follow what\u2019s going on, but writing one would be my worst nightmare.<\/p>\n
Footnote: Authors Answer is the brainchild of blogger Jay Dee Archer, of I Read Encyclopedias For Fun. You can read the answers to this question by his eclectic bunch of authors here<\/a>. More recently, Erica Dakin, of the Theft And Sorcery blog, has been answering the questions independently. You can read her answer to this question here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":" For me, it\u2019s definitely the plot. I\u2019m a pantser, which means I just start writing without much thought in my head of where the story might take me. I usually start with a character, or a group of characters, in a particular situation, and I just turn them loose, so to speak, and they make their own decisions and steer the story. The setting grows around them. But, while this kind of \u2018discovery\u2019 writing, where the author discovers the story at the time without any forethought or planning, can lead to problems. You can find your characters have got themselves into a deep hole and really can\u2019t get out again without miraculous help, and that\u2019s a big no-no. There\u2019s even an expression for it: deus ex machina, (the god from the machine). This doesn\u2019t happen to me very often, since my characters tend to be sensible chaps and chapesses, who […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[164,9],"tags":[],"_links":{"self":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2861"}],"collection":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=2861"}],"version-history":[{"count":1,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2861\/revisions"}],"predecessor-version":[{"id":2863,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/2861\/revisions\/2863"}],"wp:attachment":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=2861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=2861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=2861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}