{"id":959,"date":"2014-07-25T16:49:46","date_gmt":"2014-07-25T16:49:46","guid":{"rendered":"http:\/\/paulinemross.co.uk\/?p=959"},"modified":"2014-07-25T16:49:46","modified_gmt":"2014-07-25T16:49:46","slug":"first-books-and-second-books","status":"publish","type":"post","link":"https:\/\/paulinemross.co.uk\/index.php\/2014\/07\/first-books-and-second-books\/","title":{"rendered":"First books and second books"},"content":{"rendered":"<p><span style=\"font-family: 'Calibri'; font-size: 14pt;\">Writing a book is no different from any other craft: it takes practice. Nobody is able to paint or to make model aeroplanes or to write phone apps or drive a car straight out of the box. Well, growing potatoes, maybe; stick them in the ground, then dig them up three months later and enjoy delicious new potatoes with butter and a sprig of mint. Yummy. But I digress. Everyone needs to learn and hone their skills, and (except for potatoes) that takes practice. A lot of practice. For driving a car, they say it takes one lesson for every year of your life. For writing, the received wisdom is that it takes a million words.<\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">So the first effort is always a bit wonky. It\u2019s like those clay models kids bring home from school &#8211; they\u2019re always a bit lop-sided. \u2018The Plains of Kallanash\u2019 is my first, wonky effort. I\u2019m aware of some of the problems: a long, long opening phase revolving round the marriage with an abrupt switch to an adventure phase; and a heroine that everyone (including me) wants to slap at some point. <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">My biggest mistake was in choosing to tell the story through the views of two main characters <\/span><span style=\"font-family: 'Calibri'; font-size: 14pt; font-style: italic;\">with alternating chapters<\/span><span style=\"font-family: 'Calibri'; font-size: 14pt;\">. This was incredibly restrictive. I couldn\u2019t simply yank a dull Mia chapter because it would leave me with two consecutive Hurst chapters. Some chapters got stupidly long because I couldn\u2019t switch point of view (the other character wasn\u2019t there), but I couldn\u2019t start a new chapter either. Sometimes it meant that chapter breaks came in odd places because I was jumping to the other character. And sometimes when the characters were pursuing separate story threads, the two plotlines got out of sync. So I wouldn\u2019t do that again.<\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">As these issues began to dawn on me, I realised I had two choices: either rewrite the whole thing from scratch or\u2026 No, forget it. It took me a year to write the first time, there was no way I was going to start again. So it was going to have to do. I\u2019ve had the first third of it critiqued on Scribophile, which was unbelievably helpful, I\u2019ve had some terrific beta readers and I\u2019ve done quite a bit of editing. In particular, I\u2019ve made some deep cuts to the final third or so, to tighten things up, and some of my writing issues (like over-long sentences and forgetting to show what the characters are feeling and &#8211; sometimes &#8211; too much info-dumping, all the usual beginner problems) I\u2019ve been able to improve (I hope). <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">But eventually there comes a point where you have to let it go, send it on its way into the world, wonky or not, and move on.<\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">But the second book &#8211; that should be better, shouldn\u2019t it? I should have learned from the mistakes of the first book and produced something much more polished and professional right from the start. I started my second book, \u2018The Fire Mages\u2019, as soon as I\u2019d finished Kallanash, and it took me only seven months to finish it (although it\u2019s quite a bit shorter, too). I left it alone while I edited Kallanash, but I recently dug it out and reread it from start to finish. Surprisingly, I really enjoyed it and it seemed to work very well, even in first draft form. There were a few logic errors, but I was able to fix those quite easily. <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">A couple of weeks ago I gave it to my First Reader (my daughter) to read, and she enjoyed it too. \u2018Not that I didn\u2019t enjoy Kallanash,\u2019 she said, \u2018but I was really into this one.\u2019 It helps, I think, that \u2018The Fire Mages\u2019 is a much more conventional fantasy &#8211; a teenage girl discovering her powers, with magic and adventure right from the start and (thank goodness!) a heroine with a bit of backbone, if a little self-centred. OK, very self-centred. But she\u2019s a teenager, that\u2019s normal.<\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">I think there are two reasons why this one works better. Firstly, the experience of writing Kallanash has taught me something about the craft of writing. The very act of writing helps to improve the output; practice makes &#8211; well, not perfect, but certainly better at a technical level (sentence structure and so on). And secondly, writing &#8211; and completing &#8211; a large-scale effort like a novel has made me far more aware of story techniques and structure, not just while I write, but also while reading. I\u2019m constantly on the lookout for tricks and clever stratagems in books, and that helps me structure my own work. I\u2019m still a pantser, root and branch, but I\u2019m gradually becoming more aware of the way different elements of the story work, like the need for tension, and seeding hooks here and there to keep the pot boiling. My stories aren\u2019t planned, but they\u2019re not just great amorphous clouds of stuff, either. <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">So I think the second book is better than the first &#8211; as it should be. But the proof of the pudding and all that\u2026 I\u2019ll shortly be starting to post chapters on Scribophile for critique, and it will be interesting to see what my crit-buddies over there make of it. <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">Now the third book &#8211; that\u2019s another matter. I\u2019ve been writing that while also revising and polishing Kallanash, and it\u2019s been hard to hop from one to the other, and very disruptive. I suspect this one is going to be much more uneven than the others and need more revision. And a 40-year-old heroine? How\u2019s that going to work? Sometimes I wish I could stick to a formula and produce those nice long series, all with the same characters, that so many authors have. But these characters pop up in my head and they sit there knocking on the inside of my skull until I get them out of there and tell their story. <\/span><\/p>\n<p style=\"-qt-block-indent: 0; text-indent: 36px; margin: 0px 0px 5px 0px;\"><span style=\"font-family: 'Calibri'; font-size: 14pt;\">And truly, I wouldn\u2019t have it any other way.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Writing a book is no different from any other craft: it takes practice. Nobody is able to paint or to make model aeroplanes or to write phone apps or drive a car straight out of the box. Well, growing potatoes, maybe; stick them in the ground, then dig them up three months later and enjoy delicious new potatoes with butter and a sprig of mint. Yummy. But I digress. Everyone needs to learn and hone their skills, and (except for potatoes) that takes practice. A lot of practice. For driving a car, they say it takes one lesson for every year of your life. For writing, the received wisdom is that it takes a million words. So the first effort is always a bit wonky. It\u2019s like those clay models kids bring home from school &#8211; they\u2019re always a bit lop-sided. \u2018The Plains of Kallanash\u2019 is my first, wonky effort. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[15,13,9],"tags":[],"_links":{"self":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/959"}],"collection":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/comments?post=959"}],"version-history":[{"count":1,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/959\/revisions"}],"predecessor-version":[{"id":963,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/posts\/959\/revisions\/963"}],"wp:attachment":[{"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/media?parent=959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/categories?post=959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/paulinemross.co.uk\/index.php\/wp-json\/wp\/v2\/tags?post=959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}