I find this a slightly odd question. Any author of fiction is going to be writing characters who are very different from themselves in scores of ways. I’ve written characters who are male, good with a sword, live in multi-couple marriages, rule a nation, can ride a horse, summon eagles or speak many languages, none of which can be said of me. And then there’s magic: my characters can spout fire from their fingertips, bend metal with mental power, manipulate emotions in other people and read memories. Their beliefs are the least of it. As far as religious belief goes, my world has a slightly uneasy relationship with it, since one group of people likes to use religion as a tool: to keep the population under control, or to disseminate a useful idea. And they create religions wholesale, simply making up gods and mythology and rituals, as it suits them. […]
Category: Brightmoon world
With ‘The Fire Mages’ now out, I thought it might be interesting to look at the way magic is used in the book, and compare it with magic in ‘The Plains of Kallanash’. WARNING: slight spoiler for ‘The Fire Mages’ at the end. ‘The Fire Mages’ is set in the realm of Bennamore. Magic is invoked by the use of spellpages: a trained scribe writes out the words of a spell using magically imbued paper, pen and ink. A special script is used, with many flourishes and symbolic additions to each letter, which can subtly modify the spell, for instance to change the strength, to add constraints or expand it. The spellpage is then burnt in a crucible, with an invocation to the gods: “By the sun, bring light and fire and colour; by the moon, enable the darkness.” The Bennamorians believe that the gods are the final arbiters of […]
Most stories have a villain of some sort to generate conflict (also known as an antagonist). Beginning writers are advised to give their hero or heroine (protagonist) a goal, and to have an antagonist who works against the protagonist, preventing him or her from reaching their goal. The tension rises as the protagonist struggles to achieve the goal and is knocked back more and more decisively; eventually a point of despair is reached, then a solution is envisaged and there is a final confrontation, during which the antagonist is defeated.
Most fantasy worlds include some sort of religious belief. It’s such an ingrained part of real-world culture that it can be very hard to conceive of a world without some kind of spiritual element. Some authors use the opportunity to explore aspects of belief that are difficult to address in contemporary fiction, since real religions carry so much historical baggage. Some throw in as many different forms of worship as they can, for depth or to create conflict between groups. Occasionally a fantasy world has no religion at all (like Anne McCaffrey’s Pern series).
Most fantasy works, however outlandish or alien the setting, accept the standard customs for legalising the relationships between sexual partners and taking care of children. Marriage is (mostly) for life, is between one man and one woman, sex outside that pairing is frowned upon, children born outside that pairing are a matter for social disapprobation, prostitution is immoral and usually illegal. These attitudes, although drifting into a more liberal version in many countries, are still so prevalent in all modern cultures as to be virtually ubiquitous.