Looking for beta readers

The time has finally come… The early sections of ‘The Plains of Kallanash’ have been critiqued and revised on a chapter by chapter basis, and now it’s time to see how it works as a whole. So I’m looking for volunteers to beta read for me. What is a beta reader? Basically, someone who will read the complete book and assess it from the point of view of a reader, and answer a few basic questions: Is the opening engaging? Is the plot easy to follow? Are there any plot holes, or parts you didn’t understand? Are the characters believable? Did you get a good sense of place? Did you lose interest anywhere? Is the writing style readable? Were you emotionally engaged (excited, sad, did you laugh)? Is the ending satisfying? I’ll be revising again after feedback, and then getting professional proofreading, so there’s no need for detailed reports on […]

Posted March 17, 2014 by PaulineMRoss in Writing musings / 0 Comments

On US withholding tax

Like everyone these days, I spend time randomly trawling the internet, reading tweets, clicking links, perusing blogs and in various other ways managing to kill vast amounts of otherwise productive time. But the great virtue of this is that every once in a while, I happen upon some really useful information. Like US withholding tax. What is it? It’s the 30% of royalties that Amazon retains on behalf of non-US authors selling through its online store in order to satisfy US tax laws. [Actually, it’s probably not just authors this applies to, but I came across it in that connection, and that might, in time, affect me, so I’m going to talk about authors here.] What does that mean? It means that any author not residing in the US will have to do some paperwork to satisfy the US tax authorities.

Posted March 15, 2014 by PaulineMRoss in Publishing/marketing / 1 Comment

On ISBNs and other dilemmas

So as I take baby steps towards possible self-publishing of ‘The Plains of Kallanash’, I’ve found myself thinking about ISBNs (International Standard Book Numbers – those long strings of identifying digits that most books seem to have). You’d think it would be a simple enough procedure – I need an ISBN (or ten, since that’s the minimum you can order), I contact the agency, here’s my money, ching ching, ISBNs are in the post. Well, not quite. There’s a 4-page application form, for a start, and a 10-page booklet of instructions, not to mention awkward questions like how many pages is your book and what price will you charge and who’s publishing it. Hmm. This needs thought.

Posted March 12, 2014 by PaulineMRoss in Publishing/marketing / 1 Comment

Traditional publishing: why would I?

As a reader, I’ve been a fan of self-publishing for some time now. While many self-pubbed works really would have been better strangled at birth, some of my best reads have been by authors who side-stepped the traditional route. As I inch towards self-pubbing my own work, I wondered just what it would take for me to sign a contract with a traditional publisher. What would the benefits really be? Now I should, perhaps, point out the obvious here. I’m never likely to receive an offer from a publisher. I’ve no intention of submitting, I have no agent, I’m unlikely ever to sell enough myself to attract any attention. So this is purely hypothetical. But let’s suppose, very hypothetically, that it’s happened, and I have indeed received an offer from a publisher to put ‘The Plains of Kallanash’ out to the masses. Let’s assume that it’s a most likely scenario, […]

Posted March 5, 2014 by PaulineMRoss in Publishing/marketing / 4 Comments

First reader

It’s always a scary moment, handing over a finished book to the first person to read it in its entirety. Will it work? Does the plot even make sense? Will they get the emotional parts, the jokes, the world, the characters? I’d expected the first reader to be a stranger, a random internet volunteer to beta read, but I got talking to my daughter about ‘The Plains of Kallanash’ and she wanted to try it. I wasn’t expecting much. She’s not really into fantasy, apart from Terry Pratchett. She’s tried ‘Game of Thrones’ and found it too heavy. So although Kallanash isn’t grimdark or anywhere close, I thought it might be too long and tedious for her. I thought she might get bogged down in the weirdness of a full-on secondary world fantasy. I thought she might simply find it boring.


Character profile: Hurst

Hurst is one of the two main characters in ‘The Plains of Kallanash’. At the time the story opens, he is thirty six years old. Like Mia, Hurst’s father was lead husband at a Karning. When Hurst was born, his father Tanist was already on the fourth line, despite being only twenty five. His mother was the fourth wife, and she and Hurst’s father became a settled couple the moment she joined the marriage. Hurst was their first child. The family moved steadily from Karning to Karning, and by the time Hurst was eleven, had reached the border, the eighth line on the western side. Hurst’s mother died when he was twelve, and Hurst grew closer to his father as a result.


Character profile: Mia

Mia is one of the two main characters in ‘The Plains of Kallanash’. At the time the story opens, she is twenty five, and has been married for ten years. Mia was born into a Karninghold family. Her mother was the second wife in the marriage, and, like all the wives’ children, her official father was the lead husband. In this case, he was also her blood father, for her parents had been a settled couple for many years. Her father was well into middle age when she was born and her mother over forty, a rather unexpected late child for both of them.


‘The Plains of Kallanash’: Chapters 1-6

For backgound information on the book, click here.   Chapter 1: A Death (Mia) The hour bells sounded, reverberating through the tower, then faded to silence. Mia and both her husbands were on time. Tella, her co-wife and sister, was late. Hands folded in her lap, Mia sat perfectly still. Across the table, Hurst tapped his fingers on the polished wood. Jonnor rose, paced twice round the room, pausing to look through the tower window at the everyday life of the Karning below, then took his seat again. Although they were cousins, the two men were not alike. Hurst’s rough features and plain brown jacket made him look like an ordinary Skirmisher, rather than a Karningholder. Beside him, Jonnor looked like a prince from the old stories, his blue woollen coat enhancing his figure. Mia forced herself to take her eyes off him. She smoothed away a crease in her […]


So why post a complete book on your blog?

Writing a book isn’t easy. ‘The Plains of Kallanash’ took me almost a year to write, and there will be several months’ work to revise and get it into a fit state for possible publication. There will be expenses, too – cover art, and professional editing, for example. And it’s a big book, epic in size as well as scope. So why post the entire book, so that anyone who wants to can read it for free? Why give it away?

Posted January 5, 2014 by PaulineMRoss in Publishing/marketing / 2 Comments

Raising children in ‘The Plains of Kallanash’

Adulthood is achieved at the age of fifteen. At that point, any adult can have sex and have children, married or not (Slaves excepted). Contraceptive herbs are freely available. There is a lot of local variation, though. In the villages, children are a haphazard occurrence, and people rarely marry at all. In and around the Karningholds, matters are rather more orderly, and people tend to marry or form other regular relationships before having children. There are economic considerations, too, so amongst craftsfolk and those setting up businesses, marriage will be considered only when they can afford to raise the children (since men and women both work, supporting a wife isn’t a consideration). There is a certain amount of experimentation, sometimes even before the proper age, and some of it is same-gender (which isn’t an issue).

Posted January 3, 2014 by PaulineMRoss in The Plains of Kallanash / 0 Comments